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Record identifier : 564270
Personal Name - Primary Intelectual Responsibility : Sanaei, Mozaffar
Title and statement of responsibility : Endings in fiction a study of significance and ambiguity of endings in modern fiction [Thesis]/مظفر صانعی;supervisor: Dr. S. Arbab Shirani;advisor: Dr. M. Haghighi
Publication, Distribution,Etc. : , February 1996
Language of the Item : eng
Internal Bibliographies/Indexes Note : bibliographical P. 63 - 66
Dissertation of thesis details and type of degree : Master of Arts(M.A)
Body granting the degree : , College of Persian Literature and Foreign Languages Allameh Tabatabaei
Summary or Abstract : Aristotle, Defining tragedy in Poetics, states that " A whole is that which has a begining a middle and end ". He that a well constructed plot must conform to this principle. An end is, he continues, "that which itself naturally follows some other thing, either by necessity, or as a rule, but has nothing following it ". So, the formal structure of an emplotted narrative is the act of shaping which gives harmony to different aspects of action. This draws the events chronologically into a whole which contains all the nternal elements of the story. So, in this way, the story is comprehended as a meningful whole , which gives the sense of leading to an end point. When we rech the end, we can then understand the story from the end to the begining, as if reading backward. Paul Ricoeur equates this cyclic movement of return, of initial attraction to the end as " pole of attraction ". The comprhension of the whole depends on all parts of this whole, and ending is the point when the comprehension of the whole beings. Every narrative has a beginning and an end. The characteristic which separates the narrative from the real world is its being limited in a framework of time. In painting the frame separates the work of art from reality in the same way the beginning and ending of plot gives frame to the story..
Information of biblio record : TL
 
 
 
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