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Record identifier : 567892
Personal Name - Primary Intelectual Responsibility : Crawford, Kevin Ray
Title and statement of responsibility : Mixing violence and religion in "The Reckoning": The scripting of a postmodern action thriller inside the John Woo-film noir paradigm [Thesis]
Publication, Distribution,Etc. : Regent University, 2007
Language of the Item : eng
Dissertation of thesis details and type of degree : M.F.A.
Body granting the degree : , Regent University
Summary or Abstract : Violence in the arts continues to be a hotly debated topic in American film. Indeed, action violence becomes even more troublesome for the writer of faith amidst widespread suspicion that media violence constructs social behavior. For this reason screenwriters often feel pressure to subscribe to a more "family-fare" modality of storytelling. The John Woo action paradigm stands in marked contrast. This research suggests how the spiritual cinema of John Woo offers the writer powerful ideological and structural clues useful in creating a blueprint for film that has the best chance of succeeding in the marketplace of ideas that has become Hollywood today. Lessons from the tradition of film noir are also considered. The original screenplay The Reckoning demonstrates how the screenwriter may resort to noir-type action violence as a means of confronting the immorality of war and materialism, including the criminal element in American society and politics.
Topical Name Used as Subject : Theology, Military history, Motion pictures
Information of biblio record : TL
 
 
 
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